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// comments Please enable JavaScript to view the comments powered by Disqus. // Reviews Sex in 1968 A Joe Sarno Double-Shot 'The Mountain Between Us' Is All Glory, No Guts Bava, Baby, Bava! Three Films from Italy's Horror Maestro explore REVIEWS In Many Ways, ‘Blade Runner 2049’ Is Better Than Its Predecessor A near-flawless audio-visual presentation and fascinating ideas make Blade Runner 2049 Villeneuve's ...

A woman named Grace retires with her two children to a mansion on Jersey, towards the end of the Second World War, where she's waiting for her husband to come back from battle. The children have a disease which means they cannot be touched by direct sunlight without being hurt in some way. They will live alone there with oppressive, strange and almost religious rules, until she needs to hire a group of servants for them. Their arrival will accidentally begin to break the rules with unexpected consequences. Written by David Villalmanzo

After a near-unbeatable run in the 1980s, the popular narrative is that “ Halloween ” and “ The Thing ” mastermind John Carpenter began something of a downturn in the ‘90s. And it’s certainly true that films like “ Memoirs Of An Invisible Man ,” “ Village Of The Damned ,” and “ Escape From .” were not to be considered among the horror legend’s finest works, but there was one major gem from the decade, in the shape of “In The Mouth Of Madness.” Completing an unofficial trilogy, per the director, begun with “The Thing” and “ Prince Of Darkness ,” the film stars a post-“ Jurassic Park ” Sam Neill as an insurance investigator charged with looking into the disappearance of Stephen King -ish horror author Sutter Cane ( Jürgen Prochnow ), only to find that the author’s creations may be coming to life and driving his readers crazy mad. Deeply divisive at the time, and a box office flop, it now stands as one of the few truly successful attempts at making Lovecraftian horror work on the big screen, with a truly weird, jarring tone throughout that swiftly moves from being unsettling to truly insane. It’s not perfect — Carpenter’s rock-tinged score is one of his weakest, and a misjudgement on the movie as a whole — but it’s one that’s well worth reinvestigation.

Thesis alejandro amenabar wikipedia

thesis alejandro amenabar wikipedia


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